25 ideas
| 12585 | Most people can't even define a chair [Peacocke] |
| 12581 | Perceptual concepts causally influence the content of our experiences [Peacocke] |
| 12579 | Perception has proto-propositions, between immediate experience and concepts [Peacocke] |
| 12586 | Consciousness of a belief isn't a belief that one has it [Peacocke] |
| 12608 | Concepts are distinguished by roles in judgement, and are thus tied to rationality [Peacocke] |
| 18568 | Philosophy should merely give necessary and sufficient conditions for concept possession [Peacocke, by Machery] |
| 18571 | Peacocke's account of possession of a concept depends on one view of counterfactuals [Peacocke, by Machery] |
| 18572 | Peacocke's account separates psychology from philosophy, and is very sketchy [Machery on Peacocke] |
| 17722 | The concept 'red' is tied to what actually individuates red things [Peacocke] |
| 11127 | If concepts just are mental representations, what of concepts we may never acquire? [Peacocke] |
| 12577 | Possessing a concept is being able to make judgements which use it [Peacocke] |
| 12578 | A concept is just what it is to possess that concept [Peacocke] |
| 12587 | Employing a concept isn't decided by introspection, but by making judgements using it [Peacocke] |
| 12605 | A sense is individuated by the conditions for reference [Peacocke] |
| 12607 | Fregean concepts have their essence fixed by reference-conditions [Peacocke] |
| 12609 | Concepts have distinctive reasons and norms [Peacocke] |
| 12584 | An analysis of concepts must link them to something unconceptualized [Peacocke] |
| 12604 | Any explanation of a concept must involve reference and truth [Peacocke] |
| 9335 | Concepts are constituted by their role in a group of propositions to which we are committed [Peacocke, by Greco] |
| 9336 | A concept's reference is what makes true the beliefs of its possession conditions [Peacocke, by Horwich] |
| 12610 | Encountering novel sentences shows conclusively that meaning must be compositional [Peacocke] |
| 20327 | Modern attention has moved from the intrinsic properties of art to its relational properties [Lamarque/Olson] |
| 20326 | Early 20th cent attempts at defining art focused on significant form, intuition, expression, unity [Lamarque/Olson] |
| 20330 | The dualistic view says works of art are either abstract objects (types), or physical objects [Lamarque/Olson] |
| 6040 | There is no universal goal to human life [Aenesidemus, by Photius] |